I noticed something kind of funny, and maybe one of the 3 or 4 people who read this site would like to comment.    I didn’t have the original font (Garnet) installed on the computer I was working on, so the printout came in Arial.   For some reason, I found it immensely easier to cut and radically change the MS, I think, than if I was using the fancy font.   I’ve decided to use only ugly fonts from now on, at least when drafting.  I think having something look pretty on the page gave me the misplaced perception that a work was finished.  I’m even wondering if I should drop the whole pretty font entirely from submitting as well.  After all, what if someone dislikes the font.  It’s probably better to use something more common in any case, to be on the same footing as everyone else.

All this is probably a bit–I don’t know–ironic in the context:  Gilgamesh was originally written in cuneiform, with a wedge shape on wet clay which was then baked or dried.

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  –>Will add to pmpoetry.com tonight…

Allusion abounds. Many of the images are poignant
because they call up greater significance in our minds.
“Picked the cotton,” for instance, is about much more
than just any person in any field picking any cotton.
It alludes to our national history and to racial disunity
that continues to permeate our culture.

Aside from that quibble, he presents a good read. It might be very worthwhile to include this in a secondary school poetry class.

Obama Inaugural Poet Elizabeth Alexander Gets D Minus in Poetry Composition

Adam Kirsch on Elizabeth Alexander’s Bureaucratic Verse at The New Republic.

and another on the London Times that I can’t seem to find the link for.